Showing posts with label imagination. Show all posts
Showing posts with label imagination. Show all posts

Friday, March 26, 2010

Lovers Stand On Every Corner

Backgrounder: “I don’t have a recollection of any incident that sparked this song. Maybe my wife didn’t pay for coffees one morning at The Little Red Roaster in Wortley Village and I got all pouty and hurt. Maybe I have an over-active imagination.” gaharrison

Lovers Stand On Every Corner

Verse 1. Saw you walking passed my door,
went to call but then I swore,
we can’t return to where we’ve been,
and life’s too short to open up that wound again.
Saw you at our old café,
couldn’t find the words to say,
like, let’s just have an easy talk and not get close
and open up that wound again.


Chorus:

Lovers, stand on every corner,
remind me of what might have been.
Words I’ve never said
have opened up that wound again.
Alone now, my head is on your pillow,
knowing there’s no answer
to things that I’ve done wrong.
Mistakes that I have made
have opened up that wound again.

2. Walked behind you to your street,
inched along on silent feet.
I practiced words, found a few.
But can words help us open up our hearts again?
Shuffled home, went to the phone.
Could one call just bring you home,
and stir our minds to better times?
But can words help us open up our hearts again?

Saw you walking passed my door,
went to call then I swore,
we can’t return to where we’d been,
life’s too short to open up that wound again.
Saw you at our old café, couldn’t find the words to say.

gah

Please click here to read this week’s column.

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Thursday, March 4, 2010

You Got Away

Backgrounder: “This song was written about ten years ago and was inspired only by my imagination. My wife likely wondered at the time why I would ever go to a laundromat because we had a perfectly good washing machine and dryer in the basement. I think it’s the kind of song Roy Orbison would have enjoyed singing.” gaharrison

You Got Away

Verse 1. I saw you first time at the laundromat,
I was a bit too nervous to start to chat.
But our eyes held while you folded sheets,
My shirt got damp from my body heat.

2. I spoke to you first at the corner store,
You’re arms were full so I held the door.
I asked if you’d like a coffee one day.
You said, it’s hard, then you walked away.


Chorus:

I was trying real hard but you got away,
I’ll try again soon some other day.
It’s so hard to act cool when my hands get hot,
You’re tougher to forget than I ever thought.

3. When I saw you next you were with a guy.
You said, it’s still hard, if I read your eye.
At the laundromat I saw you fold his shirts,
Don’t know why but that still hurts.

4. I can’t help but keep watching you,
You’re everywhere, on my mind it’s true.
I keep rehearsing romantic scenes,
And you’re the main star in my nightly dreams.

gah

Please click here to read my latest column.

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Friday, February 12, 2010

How Are You Still in Love with Me?

Backgrounder: “After listing two songs in a row that were pretty darn sad (see below and pass the tissues), I thought I’d better dust off an old love song from my ‘singing around the campfire’ days. I hope you feel better now.” gaharrison

How Are You Still in Love with Me?

Verse 1. I know some about the rivers, how they flow out to the sea.
Because I’ve seen them rushing by in the morning.
I kinda get to wondering, what I’d see from way out there.
There’s mysteries that are deeper than the sea, than the sea.

I wonder, yes I wonder,
About some mysteries of life,
But I wonder more how you’re still in love with me.


2. I know some about the prairies, how they stretch out to the sky.
Because I’ve seen them reaching out in the morning.
I kinda get to wondering, what I’d see from way out there.
There’s mysteries that are wider than a mile, than a mile.

I wonder, yes I wonder,
About some mysteries of life,
But I wonder more how you’re still in love with me.

3. I know some about the eagle, how they fly up in the sky.
Because I’ve seen them circling round in the morning.
I kinda get to wondering, what I’d see from way up there.
There’s mysteries that are higher than the sky.

I wonder, yes I wonder,
About some mysteries of life,
But I wonder more how you’re still in love with me.

4. I know some about the mountains, how they’re too bright for my eye.
When I seen them flashing white in the morning.
I kinda get to wondering, could I see from way up there?
There’s mysteries that will blind you for awhile.

I wonder, yes I wonder,
About some sweet mysteries of life,
But I wonder more how you’re still in love with me.

gah

***

Please click here to read my latest brilliant column in the Londoner.

Brilliant?

Hey, it could happen.

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Sunday, August 2, 2009

Bowling Shoe Blues

Backgrounder: “I think this is the first rhyming poem I put together that I intended to sing publicly. I can still remember the tune. As a participant in a summer course for teachers I had to come up with a short presentation for some reason or other and Bowling Shoe Blues was born. I think I ended up standing in front of a class in my Speedo singing Yellow Submarine with three other guys. Truth be told, we didn’t win any prizes.” gaharrison

Bowling Shoe Blues

1. Why just the other day I went bowling with Ray,
We met a couple fine ladies and I knew right away,
That one girl was for me, I fell in love don’t you see,
Now every Tuesday night I like to bowl with Lucy.
I put both shoes in the closet. One’s gone - I musta los’ it.
I got the black and white, one red stripe bowling shoe blues.

Chorus:

I got the bowling shoe blues, I got the bowling shoe blues,
I got the black white red stripe bowling shoe blues.
Bowling shoe blues, bowling shoe blues,
I got the black white red stripe bowling shoe blues.
I put them both in the closet. One’s gone - I musta los’ it.
I got the black and white, one red stripe bowling shoe blues.


2. Ray is honking at the gate, he doesn’t like to be late.
He’s got a girlfriend too and so he doesn’t want to wait.
Oh what can I do? I’m starting to stew.
I’m going to miss my girl ‘cause I can’t find my shoe.
I put them both in the closet. One’s gone - I musta los’ it.
I got the black and white, one red stripe bowling shoe blues.

3. I picked one shoe off the floor and I ran out the door,
I want to see my Lucy so can’t look anymore.
Ray had left with his truck I got such terrible luck,
So I ran down the block in one shoe and one sock.
I put them both in the closet. One’s gone - I musta los’ it.
I got the black and white, one red stripe bowling shoe blues.

4. Finally got to the lanes, Lucy started to complain,
“I don’t like getting stood up,” she said, “I hope that is plain.”
Then she looked at my feet, I told the story complete,
And now she’s hugging me and saying, “Hey, ain’t he sweet!”
I put them both in the closet. One’s gone - I musta los’ it.
I got the black and white, one red stripe bowling shoe blues.

GAH

***

No great loss, eh? Yellow Submarine wins.

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Tuesday, July 28, 2009

Are You a Rich Man?

Backgrounder: “This song was written about seven years ago but is definitely linked to experiences from the sixties. I read and wrote poetry then, listened to Bob Dylan, enjoyed single malt whisky (beer just wasn’t hip enough for me) and fell in love about every three days. After 39 years of marriage (Aug. 8 anniversary) the answer to the question is yes.” gaharrison

Are You a Rich Man?

1. We met at some party of an old friend of mine,
I was off in a corner just putting in time.
When the smell of perfume, the warm brush of skin,
Awakened my senses, I was glad she walked in.

Chorus:

She thought I was special, more than I was,
The first time we met she was feelin’ the buzz,
From a single malt whisky that I had supplied.
“Are you a rich man?” she asked.
“Yes I am,” I replied.


["Peace and love from the sixties": photo GAH]

2. We went to the kitchen, she was looking for ice.
She asked, “Would you like some?” I said, “You smell nice.”
She laughed at my answer, so I chuckled right back,
If she’d wanted refinement
I would have tried some of that.

3. We were soon tangled up on a warm pile of coats.
She asked, “Are you serious?” I was thinking wild oats.
But we made an excuse, took a cab to my place,
Though I felt my apartment
would be a disgrace.


["I like Dylan, do you?": photo GAH]

4. After seeing my bookcase she said, “You like poetry too.”
“Have you any good music? I like Dylan, do you?”
We spent the night on the couch with the stereo on.
Got married that summer
and the riches live on.

GAH

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Friday, May 1, 2009

Prose: Lion’s Head Part 2

[Please read Pt 1 and backgrounder below for context]

Lion’s Head Part 2

later, stinging smoke
brushed our faces
as newly collected timber
odds and ends
caught a stubborn flame
and cold pale hands
held tin mugs of broth
close to the chin.


the driving rain
the roar and crash
of the nearby shore
and clothes like heavy damp sacks
made us thankful for
some small shelter
on a formidable coast.

we seemed so fragile
against the immediate power
of wind and rain
at Lion’s Head.

GAH

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Thursday, April 30, 2009

Prose: Lion’s Head Part 1

Backgrounder: “I was one of three tired hikers that tackled a fair-sized piece of the Bruce Trail 15 years ago and got caught in an unexpected storm. I put a few lines about that experience and a canoe trip into a wee book called ‘backpack canoe.’ Another hike is planned this summer - my first solo. So, more brilliant prose [insert laugh track here] will follow.” gaharrison

Lion’s Head Part 1

three tired hikers
could barely huddle
‘neath the rocky point
facing the granite shores
the rounded boulder beaches
of Georgian Bay.

the grey green crag
an ancient prominence
like crumbling brick
gave bare hard shelter
from quick icy pellets
hurled from a sullen
Georgian sky.


[Bruce Trail, Lion's Head: photo gah]

only minutes before
hot sore sweating backs
were gratefully relieved
by full packs set aside
by carefree dives
into calm cold waters.
a black water snake
a slithering ‘s,’ head erect,
had chased us - we gingerly
stepping over smoothed stones -
to higher ground.

a lightning crack
and strong sudden gusts
pushed us inland.

[to be continued]

GAH

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Friday, April 17, 2009

I Don’t Have to Say Nothing Again

Backgrounder: “This was the first song I sang in front of a microphone. Even though it was recorded in a friend’s basement I was as nervous as a cat on a hot tin roof. Thankfully, my friend is a monster guitar player and made the production sound pretty good. The song itself is from the imagination only.” gaharrison

I Don’t Have to Say Nothing Again

1. I don’t have to tell you you’re special,
I don’t have to tell you I care.
I don’t have to say
you look pretty tonight,
and I like what you’ve done with your hair.
I don’t have to call you my sweetheart,
or say I’ll be true to the end.
‘Cause you’re spending your time
with somebody else,
I don’t have to say nothing again.

Chorus:

No, nothing again, nothing again,
I don’t have to say nothing again.
‘Cause you’re spending your time
with somebody else,
I don’t have to say nothing again.


["This floozie broke my heart": courtesy photo link to Fortune's Pawn]

2. I don’t have to tell you I’m lonely,
and pick up the phone now and then.
I don’t have to tell you
I’m hoping ‘gainst hope,
you’ll stop dancing with the boys in the band.
I don’t have to say that you broke my heart
by sleeping with some other man.
I don’t have to tell you,
you drove us apart,
I don’t have to say nothing again.

3. I don’t have to tell you I’m crazy,
and forgive all the things that you’ve done.
I don’t have to tell you
I’m trying real hard
To find ways that we can have fun.
I don’t have to tell you I need you,
and want you to come home tonight.
I don’t have to tell you
that I still love you.
I don’t have to say nothing again.

GAH

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Tuesday, April 14, 2009

Life is Better with You

Life is Better with You - Backgrounder: “So, what do you give a girl at Christmas... especially a girl who already has everything? I mean, my wife already gets the house, car, life insurance, my pension, RRSPs and hockey card collection when I die. Oh yeah, and my workshop and all my tools. So, what else can I give her?” gaharrison

1. You are the best of my friends.
Life can be a long, lonely road,
easier when you share the load
and I’m walking with you.

You are the first of those near,
the closest of those I hold dear.
Time often gets slipping away,
you help me live for today
when I’m walking with you.

Chorus;

Like diamonds in the night sky
I see love shine in your eye.
You treat me better than best,
I’m home when you lean on my chest.
Oh, I know I’ve got a good life
and it’s better with you.


2. You are the best of my friends.
Life can be a dark, dreary place,
brighter when I see your face
and I’m talking with you.

You guard the life that we’ve made,
make sure our memories don’t fade.
Time often gets marching along,
you help me feel that I’m strong
when I’m talking with you.

3. You are the best of my friends.
Life can be a challenging trial,
lighter when I see you smile
and I’m laughing with you.

You’ve been much more than a friend,
our good times don’t seem to end.
Time often seems short in a way,
you make life fuller each day
when I’m laughing with you.

GAH

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Sunday, April 12, 2009

Don’t Call Me Late for Supper, Mabelene

Backgrounder: “This song was inspired a few years ago by a simple Lyle Lovett tune, though I forget which one. My wife is partial to his tunes so I tried to put a song together she would like. I succeeded on two counts - we both like it.” gaharrison

1. We met at an old country store.
I packed her bags and held open the door.
Well, we started to chat,
I learned her name after that.
Oh, Mabelene was a dish and much more.

One day I walked her back to her house.
Her folks were gone, we held hands on the porch.
I got lost in her eyes,
and two slices of pie,
And the smell of perfume in her hair.


["Elderberry pie - the way to my heart.": photo link]
Chorus:

Don’t call me late for supper, Mabelene.
You are the sweetest girl I’ve ever seen.
You sure are good-looking
and I love what you’re cooking.
Don’t call me late for supper, Mabelene.

2. We got married when we were nineteen.
Her Mama said, “Boy, don’t you treat her mean.”
I said, “You count on me.”
That was 1963.
I can’t live without my Mabelene.

At home she’s in charge of the food.
If I cook it don’t taste half as good.
When Mabelene fills my plate,
a big smile fills my face.
She’s the best cook in our neighbourhood.

3. Mabelene bought a book from Par-ee.
Each day she tries a French recipe.
I eat all I’m able
then lean across the table.
For dessert I always kiss Mabelene.

At night I kiss both of her hands.
‘Cause they taste like her strawberry jam.
And she comes to no harm
when I nibble on her arm.
Mabelene’s the sweetest girl in the land.

GAH

***

Any other Lyle Lovett fans out there?

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Tuesday, April 7, 2009

Squirrel Stew from a Mason Jar

Backgrounder: “Last week, while building a birdhouse in my workshop, I heard a toe-tapping tune on CBC radio. The words “I eat squirrel stew from a Mason jar” popped into my head. Yesterday I teased out the following recession anthem. I think it’s brilliant.” gaharrison

1. I eat squirrel stew from a Mason jar,
Though that’s not the way things usually are.


I drive to the store in an old used car,
Can’t afford another, hope it takes me far.
Since I lost my job
the world is upside down.
Been doing more with less
like other folks in town.

Chorus:

I eat squirrel stew, I’m living small.
I buy used clothes and that’s not all.
I use a clothesline to dry my old blue jeans,
And now I know what sticking to a budget means.
I gave up BBQ-ing
because steak’s not cheap,
And what I’ve been sowing
I now must reap.

2. I made a solar oven to save on natural gas,
I cook up pots of oatmeal and make it last.
Now just like my old Papa I’ll eat anything,
I’m using Mama’s recipe for Tuna a la King.


But since I lost my job
tuna has been pretty rare.
Been doing more with less
like my closest neighbours are.

3. I bought more things on credit than I can count,
My debt was growing faster than my bank account.
Easy money flowed out of every corner bank,
For all my credit cards I have lots of folks to thank.
But since I lost my job
I’m cutting to the bone.
Been doing more with less
and I’m not alone.

GAH

***

Squirrel stew, Mason jars, living small, recession... they do go together, don't they?

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Friday, April 3, 2009

Prose: You will laugh and know

The wise words of Wendell Berry, American poet and farmer, were brought to my attention recently while reading Entries, a book of prose published in 1994. One phrase, “we belong to one story”, from the piece below struck a cord in me.



The Blue Robe 



How joyful to be together, alone
as when we first were joined
in our little house by the river
long ago, except that now we have

each other, as we did not then;

and now instead of two stories fumbling
to meet, we belong to one story

that the two, joining, made. And now

we touch each other with the tenderness

of mortals, who know themselves:

how joyful to feel the heart quake

at the sight of a grandmother,
old friend in the morning light,

beautiful in her blue robe!

by Wendell Berry

Backgrounder: “Mr. Berry’s poem reminded me that a grandmother walks quietly past my side of the bed every morning, in her own blue robe, trying not to wake me. She seldom succeeds. After 38 years together we now run by the same internal clock.” gaharrison


You will laugh and know

when I was a young man
I wrote long poems for you.
now that I am older
I write a song or two,
and hope the lines
though short on heat
won’t miss a beat
but catch you by surprise.
and you will laugh and know
our youth is in our eyes.

gah









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Thursday, April 2, 2009

You’re A Perfect Picture

Backgrounder: “When I sing this song I’m sure my wife, formerly a brunette, wonders if I’m stalking one of the neighbours. No, I’m not. But it’s funny where a simple tune and vivid imagination can lead.” gaharrison

1. You’re a perfect picture.
Long blond hair, old gray sweater.
Faded jeans, a size too small,
My eyes can’t leave your face at all.

* I could watch you, watch you all day long.
You’re a perfect picture,
And girl, you never treat me wrong. (* repeat)


["Black high heels show off your legs"]

2. You’re my guilty pleasure.
I thirst for you like hidden treasure.
When our eyes meet I hold my breath,
I’m lost all day I must confess.

* I get thinking, thinking ‘bout you all day long.
You’re my guilty pleasure.
And girl, you never treat me wrong. (* repeat)

3. You’re my secret passion.
You pass my house in the latest fashion.
Black high heels show off your legs,
Words won’t come quick but I can beg.

* I get dreaming, dreaming, ‘bout you all day long.
You’re my secret passion.
And girl, you never treat me wrong. (* repeat)

GAH

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